All the oil paintings of Carlo Crivelli

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ID	Image	Painting(From A to Z)	Details
21230		Annunciation whit St Emidius (mk08)	1486 Oil on canvas,Transferrde to wood 207x147cm London National Gallery
669		Annunciation with Saint Emidius	1486 National Gallery, London
33402		Annunciation with St Emidius	mk86 1486 Oil on canvas,transferred to wood 207x147cm London,National Gallery
58511		Annunciation with St. Emidius	Annunciation with St. Emidius (1486) 207x146,5 cm National Gallery, London.
40257		Annunciation with St. Endimius	mk156 1486 Oil on canvas transferred to wood 207x147cm
58514		Crivelli	Crivelli's 1480 painting of Madonna_and_Child, at Metropolitan Museum of Art, New York City.
58512		Crivelli 1476 painting of Saint Stephen	Crivelli's 1476 painting of Saint Stephen, with three stones and the martyrs' palm.
53709		Faith madonna with child, and the donor	mk234 about 1470 130x55cm
39429		Jakobus of the boy with the Hl. Philippus and Bernhard	mk148 Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
20083		James of the Marche with Two Kneeling Donors (mk05)	Wood 78 x 25 1/2''(198 x 65 cm)Entered the Louvre in 1862
42868		La Madonna della Rondine	mk170 1490-1492 Oil and egg tempera on poplar 150.5x107.3cm
670		Lamentation over the Dead Christ	1485 Museum of Fine Arts, Boston
671		Madonna and Child Enthroned with a Donor	1470 National Gallery of Art, Washington DC
40210		Madonna of the Passion	mk156 c.1460 Tempera on panel 71x48cm
94653		Madonna with Child	1470 (1470) Location Pinacoteca de Macerata cyf
85742		Pieta	Date second half of 15th century Medium Oil on wood cjr
55993		scene of pork butcher s shop	mk247 c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
84866		St James of the Marches with Two Kneeling Donors	Dimensions Height: 198 cm (78 in). Width: 64 cm (25.2 in). Medium English: oil on wood Date 1477 cjr
672		St.James of Marche with Two Kneeling Donors	Musee du Louvre, Paris
673		St.Roch
42867		The Annunciation	mk170 oil and egg tempera on canvas 207x146.7cm
55972		the annunciation,with st.emidius	mk247 1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
42866		The Dead Christ Supported by two angels	mk170 1473-1475 Tempera on poplar 72.4x55.2cm
55974		the vision of the blessed gabriele	mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
42865		The Vision of the Blessed Gabriele Ferretti	mk170 circa 1489 Oil and egg tempera on poplar 141x87cm
45685		Vekundigung at the Maria	mk186 1486 London, Natinal Gallery

Carlo Crivelli
1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.